By R. Clifton Spargo, R. Clifton Spargo, Robert M. Ehrenreich
After illustration? explores one of many significant concerns in Holocaust studies--the intersection of reminiscence and ethics in inventive expression, rather inside literature.
As specialists within the research of literature and tradition, the students during this assortment research the transferring cultural contexts for Holocaust illustration and show how writers--whether they write as witnesses to the Holocaust or at an creative distance from the Nazi genocide--articulate the shadowy borderline among truth and fiction, among occasion and expression, and among the of lifestyles persisted in atrocity and the wish of a significant lifestyles. What creative literature brings to the examine of the Holocaust is a capability to check the bounds of language and its conventions. After illustration? strikes past the suspicion of illustration and explores the altering which means of the Holocaust for various generations, audiences, and contexts.
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Additional resources for After Representation?: The Holocaust, Literature, and Culture
In the dream he has survived the war and the Lager to make it home to his family in Italy, where quite naturally he begins to speak of what has happened to him. In the midst of telling his story, which he tells us is “this very story” we are now reading, he becomes aware that his family does not understand him. ” The dream hypothesizes an initially fragmenting audience, as he clings to the hope of his sister’s attention, and then a fully broken or dissolved audience. ). It promotes an allegory of reading such that we are supposed to improve on the sister’s actions and by our improvement reconstitute the world of culture that begins now, or here renews itself, on the merits of attending to this very story before us.
Primo Levi, Survival in Auschwitz, trans. Stuart Woolf (New York: Macmillan/Collier, ), –. . Levi, The Reawakening, trans. Stuart Woolf (New York: Macmillan/Collier, ), –; La tregua (Torino: Einaudi, ), . . Giorgio Agamben, Remnants of Auschwitz: The Witness and the Archive, trans. Daniel Heller-Roazen (New York: Zone Books, ); Spargo, Vigilant Memory: Emmanuel Levinas, the Holocaust, and the Unjust Death (Baltimore: Johns Hopkins University Press, ). . Levi, The Reawakening, .
By such a rhetoric of temporality a period denominated as sacred is carved out from the temporal ﬂow and has the effect of highlighting details within it and endowing them with prophetic structure (after the event) as well as virtually unlimited future meanings. A whole new mode of “ﬁgural” symbolism, for instance, comes into play, which, as Erich Auerbach has shown, inspired Dante’s Divine Comedy as well as Patristic literature. Thus the signiﬁcance of both old and new eras is assured, and secular time enters salvation history.